Thursday, October 10, 2019

Explore the significance of the witches and the supernatural in the play Macbeth Essay

King James I strongly believed in witchcraft, and Shakespeare used this idea to appeal to him. Shakespeare used the ideas of witchcraft, kingship, and the moral order to develop the play, as these themes were greatly admired in the Jacobean ere. The opening of the play contains many subtle links to the supernatural. The three witches open the scene in an open place with thunder and lightning, which was believed in superstitious times that fierce storms released forces of evil, and were omens of unrest in individual people and whole countries. I will be investigating the significance of the witches and I will be looking at the supernatural effects they have on the play ‘Macbeth’. Nowadays Macbeth is referred to by many people as ‘The Scottish Play’ and within the theatres it would be considered bad luck to mention the name of ‘The Scottish Play’ whilst there are plays taking place on stage. So this goes to show that the supernatural aspect of the play has been carried forward to this very day. Shakespeare’s tragedy is about Macbeth’s bloody rise to power, including the murder of the Scottish king, Duncan, and the guilt-ridden path of evil deeds generating still more evil deeds. As an integral part of this thematic web is the play’s most memorable character, Lady Macbeth. Like her husband, Lady Macbeth’s ambition for power leads her into insomnia and madness. But while Macbeth responds to the prophecies of the play’s famous trio of witches, Lady Macbeth goes even further by figuratively transforming herself into an unnatural, desexualized evil spirit. The witches themselves are a major part of supernatural, and the play, as they can be seen as starting it all off. In the first scene, we see them establishing a link with the supernatural. Their words also link them to Macbeth, and show that right from the start, he has an influence from them. ‘Fair is foul, and foul is fair†¦Ã¢â‚¬â„¢ The witches say this in a chant like way, and you can tell it is a mischievous way of saying it. It shows things will be confused, and moral order will be changed. It also shows that the witches believe that evil is good, and good they find repulsive. This shows their attitude to life, but it could also be a warning to the audience that things to follow are not what they may have seemed, and will be confused. This could also associate them with the disruption of both the natural and social order, as later when Macbeth kills Duncan, many things are affected, and the witches could be blamed for this. The witches in the play of Macbeth are the most powerful characters in the play. â€Å"All hail Macbeth, hail to thee, Thane of Glamis† â€Å"All hail Macbeth, hail to thee, Thane of Cawdor† â€Å"All hail Macbeth, that shalt be king hereafter† (Act 1 Scene 3) The witches start off the play by hailing Macbeth and I believe that if the witches didn’t start off by saying this, then the play wouldn’t have gone ahead. These quotes set out the storyline of the play and give structure of events. The play wouldn’t have been interesting if they hadn’t hailed Macbeth. The appearance of the witches is very much supernatural and something to be feared. â€Å"So withered and so wild in their attire† (Act 1 Scene 3) Banquo in the play refers to the witches as withered, wild and attire; I think this is because in the Jacobean times people who were ugly or didn’t have a husband were labelled as witches. People feared witches in those times possibly because mixing with these witches could have possibly resulted in your death. As many witches in those days were either beheaded or thrown from cliffs to see they could fly. â€Å"Are ye fantastical, or that indeed† (Act 1 Scene 3) This is referring to the supernatural element of the witches in the play, which is again said by Banquo. The main word in the quote that is referring to the supernatural element of the witches is â€Å"fantastical†. In those fantastical didn’t mean fantastic as it does today, but instead it meant ludicrously odd and lots of imaginary around them.

Practical Demonkeeping Chapter 24-25

24 AUGUSTUS BRINE Augustus Brine was sitting in his pickup, parked a block away from Jenny's house. In the morning twilight he could just make out the outline of Jenny's Toyota and an old Chevy parked in front. The king of the Djinn sat in the passenger seat next to Brine, his rheumy blue eyes just clearing the dashboard. Brine was sipping from a cup of his special secret roast coffee. The thermos was empty and he was savoring the last full cup. The last cup, perhaps, that he would ever drink. He tried to call up a Zen calm, but it was not forthcoming and he berated himself; trying to think about it pushed it farther from his grasp. â€Å"Like trying to bite the teeth,† the Zen proverb went. â€Å"There is not only nothing to grasp, but nothing with which to grasp it.† The closest he was going to get to no-mind was to go home and destroy a few million brain cells with a few bottles of wine – not an option. â€Å"You are troubled, Augustus Brine.† The Djinn had been silent for over an hour. At the sound of his voice Brine was startled and almost spilled his coffee. â€Å"It's the car,† Brine said. â€Å"What if the demon is in the car? There's no way to know.† â€Å"I will go look.† â€Å"Look? You said he was invisible.† â€Å"I will get in the car and feel around. I will sense him if he is that close.† â€Å"And if he's there?† â€Å"I will come back and tell you. He cannot harm me.† â€Å"No.† Brine stroked his beard. â€Å"I don't want them to know we're here until the last minute. I'll risk it.† â€Å"I hope you can move fast, Augustus Brine. If Catch sees you, he will be on you in an instant.† â€Å"I can move,† Brine said with a confidence that he did not feel. He felt like a fat, old man – tired and a little wired from too much coffee and not enough sleep. â€Å"The woman!† The Djinn poked Brine with a bony finger. Jenny was coming out of the house in her waitress uniform. She made her way down the front steps and across the shallow front yard to her Toyota. â€Å"At least she's still alive.† Brine was preparing to move. With Jenny out of the house one of their problems was solved, but there would be little time to act. The demonkeeper could come out at any moment. If their trap was not set, all would be lost. The Toyota turned over twice and died. A cloud of blue smoke coughed out of the exhaust pipe. The engine cranked, caught again, sputtered, and died; blue smoke. â€Å"If she goes back to the house, we have to stop her,† Brine said. â€Å"You will give yourself away. The trap will not work.† â€Å"I can't let her go back in that house.† â€Å"She is only one woman, Augustus Brine. The demon Catch will kill thousands if he is not stopped.† â€Å"She's a friend of mine.† The Toyota cranked again weakly, whining like an injured animal, then fired up. Jenny revved the engine and pulled away leaving a trail of oily smoke. â€Å"That's it,† Brine said. â€Å"Let's go.† Brine started the truck, pulled forward, and stopped. â€Å"Turn off the engine,† the Djinn said. â€Å"You're out of your mind. We leave it running.† â€Å"How will you hear the demon if he comes before you are ready?† Begrudgingly, Brine turned off the key. â€Å"Go!† he said. Brine and the Djinn jumped out of the truck and ran around to the bed. Brine dropped the tailgate. There were twenty ten-pound bags of flour, each with a wire sticking out of the top. Brine grabbed a bag in each hand, ran to the middle of the yard, paying out wire behind him as he went. The Djinn wrestled one bag out of the truck and carried it like a babe in his arms to the far corner of the yard. With each trip to the truck Brine could feel panic growing inside him. The demon could be anywhere. Behind him the Djinn stepped on a twig and Brine swung around clutching his chest. â€Å"It is only me,† the Djinn said. â€Å"If the demon is here, he will come after me first. You may have time to escape.† â€Å"Just get these unloaded,† Brine said. Ninety seconds after they had started, the front yard was dotted with flour bags, and a spider web of wires led back to the truck. Brine hoisted the Djinn into the bed of the truck and handed him two lead wires. The Djinn took the wires and crouched over a car battery that Brine had secured to the bed of the truck with duct tape. â€Å"Count ten, then touch the wires to the battery,† Brine said. â€Å"After they go off, start the truck.† Brine turned and ran across the yard to the front steps. The small porch was too close to the ground for Brine to crawl under, so he crouched beside it, covering his face with his arms, counting to himself, â€Å"seven, eight, nine, ten.† Brine braced himself for the explosion. The seal bombs were not powerful enough to cause injury when detonated one at a time, but twenty at once might produce a considerable shock wave. â€Å"Eleven, twelve, thirteen, fourteen, shit!† Brine stood up and tried to see into the bed of the truck. â€Å"The wires, Gian Hen Gian!† â€Å"It is done!† Came the answer. Before Brine could say anything else the explosions began – not a single blast, but a series of blasts like a huge string of firecrackers. For a moment the world turned white with flour. Then storms of flame swirled around the front of the house and mushroomed into the sky as the airborne flour was ignited by successive explosions. The lower branches of the pines were seared and pine needles crackled as they burned. At the sight of the fire storms, Brine dove to the ground and covered his head. When the explosion subsided, he stood and tried to see through the fog of flour, smoke, and soot that hung in the air. Behind him he heard the front door open. He turned and reached up into the doorway, felt his hand close around the front of a man's shirt, and yanked back, hoping he was not pulling a demon down off the steps. â€Å"Catch!† the man screamed. â€Å"Catch!† Unable to see though the gritty air, Brine punched blindly at the squirming man. His meaty fist connected with something hard and the man went limp in his arms. Brine heard the truck start. He dragged the unconscious man across the yard toward the sound of the running engine. In the distance a siren began to wail. He bumped into the truck before he saw it. He opened the door and threw the man onto the front seat, knocking Gian Hen Gian against the opposite door. Brine jumped into the truck, put it into gear, and sped out of the doughy conflagration into the light of morning. â€Å"You did not tell me there would be fire,† the Djinn said. â€Å"I didn't know.† Brine coughed and wiped flour out of his eyes. â€Å"I thought all the charges would go off at once. I forgot that the fuses would burn at different rates. I didn't know that flour would catch fire – it was just supposed to cover everything so we could see the demon coming.† â€Å"The demon Catch was not there.† Brine was on the verge of losing control. Covered in flour and soot, he looked like an enraged abominable snowman. â€Å"How do you know that? If we didn't have the cover of the flour, I might be dead now. You didn't know where he was before. How can you know he wasn't there? Huh? How do you know?† â€Å"The demonkeeper has lost control of Catch. Otherwise you would not have been able to harm him.† â€Å"Why didn't you tell me that before? Why don't you tell me these things in advance?† â€Å"I forgot.† â€Å"I might have been killed.† â€Å"To die in the service of the great Gian Hen Gian – what an honor. I envy you, Augustus Brine.† The Djinn removed his stocking cap, shook off the flour, and held it to his chest in salute. His bald head was the only part of him that was not covered in flour. Augustus Brine began to laugh. â€Å"What is funny?† The Djinn asked. â€Å"You look like a worn brown crayon.† Brine was snorting with laughter. â€Å"King of the Djinn. Give me a break.† â€Å"What's so funny?† Travis said, groggily. Keeping his left hand on the wheel, Augustus Brine snapped out his right fist and coldcocked the demonkeeper. 25 AMANDA Amanda Elliot told her daughter that she wanted to leave early to beat the Monterey traffic, but the truth was that she didn't sleep well away from home. The idea of spending another morning in Estelle's guest room trying to be quiet while waiting for the house to awaken was more than she could stand. She was up at five, dressed and on the road before five-thirty. Estelle stood in the driveway in her nightgown waving as her mother drove away. Over the last few years Amanda's visits had been tearful and miserable. Estelle could not resist pointing out that each moment she spent with her mother might be the last. Amanda responded, at first, by comforting her daughter and assuring her that she would be around for many more years to come. But as time passed, Estelle refused to let the subject lie, and Amanda answered her concern with pointed comparisons between her own energy level and that of Estelle's layabout husband, Herb. â€Å"If it weren't for his finger moving on the remote control you'd never know he was alive at all.† As much as Amanda was irritated by Effrom marauding around the house like an old tomcat, she needed only to think of Herb, permanently affixed to Estelle's couch, to put her own husband in a favorable light. Compared to Herb, Effrom was Errol Flynn and Douglas Fairbanks rolled into one: a connubial hero. Amanda missed him. She drove five miles per hour over the speed limit, changing lanes aggressively, and checking her mirrors for highway patrol cars. She was an old woman, but she refused to drive like one. She made the hundred miles to Pine Cove in just over an hour and a half. Effrom would be in his workshop now, working on his wood carvings and smoking cigarettes. She wasn't supposed to know about the cigarettes any more than she was supposed to know that Effrom spent every morning watching the women's exercise show. Men have to have their secret lives and forbidden pleasures, real or perceived. Cookies snitched from the jar are always sweeter than those served on a plate, and nothing evokes the prurient like puritanism. Amanda played her role for Effrom, staying on his tail, keeping him alert to the possibility of discovery, but never quite catching him in the act. Today she would pull in the driveway and rev the engine, take a long time getting into the house to make sure that Effrom heard her coming so he could take a shot of breath spray to cover the smell of tobacco on his breath. Didn't it occur to the old fart that she was the one who bought the breath spray and brought it home with the groceries each week? Silly old man. When Amanda entered the house, she noticed an acrid, burnt smell in the air. She had never smelled cordite, so she assumed that Effrom had been cooking. She went to the kitchen expecting to see the ruined remains of one of her frying pans, but the kitchen, except for a few cracker crumbs on the counter, was clean. Maybe the smell was coming from the workshop. Amanda usually avoided going near Effrom's workshop when he was working, mainly to avoid the sound of the high-speed drills he used for carving, which reminded her of the unpleasantness of the dentist's office. Today there was no sound coming from the workshop. She knocked on the door, gently, so as not to startle him. â€Å"Effrom, I'm home.† He had to be able to hear her. A chill ran through her. She had imagined finding Effrom cold and stiff a thousand times, but always she was able to push the thought out of her mind. â€Å"Effrom, open this door!† She had never entered the workshop. Except for a few toys that Effrom dragged out at Christmastime to donate to local charities, Amanda never even saw any of the carvings he produced. The workshop was Effrom's sacred domain. Amanda paused, her hand on the doorknob. Maybe she should call someone. Maybe she should call her granddaughter, Jennifer, and have her come over. If Effrom were dead she didn't want to face it alone. But what if he was just hurt, lying there on the floor waiting for help. She opened the door. Effrom was not there. She breathed a sigh of relief, then her anxiety returned. Where was he? The workshop's shelves were filled with carved wooden figures, some only a few inches high, some several feet long. Every one of them was a figure of a nude woman. Hundreds of nude women. She studied each figure, fascinated with this new aspect of her husband's secret life. The figures were running, reclining, crouching, and dancing. Except for a few figures on the workbench that were still in the rough stage, each of the carvings was polished and oiled and incredibly detailed. And they all had something in common: they were studies of Amanda. Most were of her when she was younger, but they were unmistakably her. Amanda standing, Amanda reclining, Amanda dancing, as if Effrom were trying to preserve her. She felt a scream rising in her chest and tears filling her eyes. She turned away from the carvings and left the workshop. â€Å"Effrom! Where are you, you old fart?† She went from room to room, looking in every corner and closet; no Effrom. Effrom didn't go for walks. And even if he'd had a car, he didn't drive anymore. If he had gone somewhere with a friend, he would have left a note. Besides, all his friends were dead: the Pine Cove Poker Club had lost its members, one by one, until solitaire was the only game in town. She went to the kitchen and stood by the phone. Call who? The police? The hospital? What would they say when she told them she had been home almost five minutes and couldn't find her husband? They would tell her to wait. They wouldn't understand that Effrom had to be here. He couldn't be anywhere else. She would call her granddaughter. Jenny would know what to do. She would understand. Amanda took a deep breath and dialed the number. A machine answered the phone. She stood there waiting for the beep. When it came, she tried to keep her voice controlled, â€Å"Jenny, honey, this is Grandma, call me. I can't find your grandfather.† Then she hung up and began sobbing. The phone rang and Amanda jumped back. She picked it up before the second ring. â€Å"Hello?† â€Å"Oh, good, you're home.† It was a woman's voice. â€Å"Mrs. Elliot, you've probably seen the bullet hole in your bedroom door. Don't be frightened. If you listen carefully and follow my instructions, everything will be fine.†

Wednesday, October 9, 2019

Philosophy of Gandhi and Martin Luther King Essay

Philosophy of Gandhi and Martin Luther King - Essay Example Gandhi was the proponent of nonviolence. He advocated that the success against oppressor can only be achieved when the one who is struggling makes himself stand on higher moral plinth than the oppressor. For this the means of the oppressed has to be different rather opposite of what the oppressor is adopting. Since oppressor adopts violence than the oppressed will be more successful if he adopts non violence as his strategy of dealing with the situation. He based his theory on ahimsa which does not advocate mere non violence but it also stress upon "absence of the desire to kill or harm" (Chapple 10). The philosophy is based on the love for all human even for the enemy. The concept was used to develop the Satyagraha policy which was an off shoot of ahimsa and required the unwavering stand behind one's ideals without harm to other and even without the feeling of hatred for others. Martin Luther King was influenced by Gandhi's philosophy. He also was the advocate of non violence. To him humans through their evolution now should come across new methods to solve their problems within themselves. He said "nonviolence is the answer to the crucial political and moral questions of our time: the need for man to overcome oppression and violence without resorting to oppression and violence. ... That is why he said "the ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you may murder the hater, but you do not murder hate. In fact, violence merely increases hate. So it goes. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that." Malcolm X had a somewhat variant view than Gandhi and Martin Luther King. He was of the opinion that violence has to be adopted to fight violence. It may not be always but dependence of total non violence strategy will not lead to success. That was why he said "Our objective is complete freedom, justice and equality by any means necessary." However, it was not sheer violence which he professed instead he was of the opinion that violence should be adopted according to the necessity of the situation. To adopt violence for self defense was not "violence" but "intelligence". It is evident that above mentioned three great men's philosophy can be categorized into two main philosophies. One policy of "nonviolence" i.e. of Gandhi and Martin Luther King the other one is of "selective violence" of Malcolm X. Here people might disagree and tag Malcolm X philosophy as violent and so was the opinion of his compatriot Martin Luther King. However, after going through the details of the modus operandi adopted by Malcolm X one can easily assess that he was advocate of "selective violence" instead of utter "violence". For our further

Tuesday, October 8, 2019

Selp Reflection Essay Example | Topics and Well Written Essays - 1000 words

Selp Reflection - Essay Example Burke and several senior managers of J&J decided to recall Tylenol capsules even though there was no connection between the poisoning and the Tylenol capsules (Jackson, 2004, p. 75), and in spite of the risk that by pulling out Tylenol from the market, the company would forfeit its sizeable share in the pain medication market. The removal of the Tylenol capsule from the market was a business move that disagreed with the recommendation of the company’s legal adviser, who feared that the recall would be an acceptance of corporate negligence. Likewise, the FBI advised Burke not to recall Tylenol because J&J was not responsible for the poisonings (Anderson, 1989, 232). However, referring to the company’s principles, which declare, â€Å"We believe our first responsibility is to the doctors, nurses and patients, to mothers and all others who use our products and services,† (Pava & Krausz, 1995, 119) Burke decided to recall Tylenol, proclaiming that the production of these capsules will cease permanently. The company was the focus of Burke’s decisions. However, his main priority was the welfare or security of their customers, even though that move endangered the company’s profitability and image. It is without a doubt that Burke’s judgment was also in the companyâ€℠¢s continuing self-interest. However, it was somewhat surprising that the company would be triumphant in regaining their dominant share in the pain medication market even after withdrawing Tylenol capsules. In fact, according to Pava (1999), many analysts foretold the contrary. Serving one’s own interest does not automatically rule out giving consideration to the wellbeing of others, since the interests of others are usually crucial to success. In fact, it is not possible not to consider the interests of others, if philosophers are correct about human beings’ social nature. Thus, although some are distrustful about the response of J&J to the Tylenol incident, although

Monday, October 7, 2019

Analysis of Lily in The Secret Life of Bees Research Paper

Analysis of Lily in The Secret Life of Bees - Research Paper Example The Boatwright’s own a successful honeybee farm and make â€Å"the best honey in the state†. Another woman, Rosaleen also lives in the home. Rosaleen was Lily’s housekeeper and caregiver in her home prior to their arrival at the Boatwright’s home. Lily has been wracked with guilt because at the age of four, she accidentally killed her mother when her mother and father were fighting. Her mother was going to shoot her father to stop him from hurting her, but she dropped the gun. Lily picked up the gun, and in an attempt to help her mother, fired the gun; unfortunately, her mother was killed instead of her father. Lily stayed with her father who was abusive to her. As an example, when she would do something against his rules, he would make her kneel on grits for up to an hour for her punishment. On her 14th birthday, Lily asked her father to tell her more about her mother, and he states that her mother left them and wanted nothing to do with her. Lily did not want to accept this information and after her father is particularly abusive, she runs away, taking Rosaleen with her. Lily has spent several months with the Boatwrights and she has seen many things happen. Lily lives in South Carolina in 1964, which was a tumultuous time for black people. Because the three sisters are black, and because Lily does not agree with the way that the southern people treat blacks, she has seen two other traumas in her life. The first was when Rosaleen poured tobacco juice on a white man’s foot and then would not apologize. They beat Rosaleen and arrested her, putting her in jail. During the time she was in jail, she was also beaten and sent to the hospital. It was at that point that Lily finds Rosaleen and they leave. The second traumatic event was when Lily went to the movies and sat in the black section with her friend Zack. Because Zack is black, he was taken out of the balcony for sitting with a white girl, beaten and then he disappeared; even tually he was brought back to the Boatright’s with some of his spirit broken. Another trauma in her life happened when May Boatwright learned about Zach’s disappearance; she committed suicide. Lily has taken all of these incidents as proof that she is a bad person and that she â€Å"brings the bad things in.† The Boatright’s and Rosaleen are concerned about this and have brought Lily to counseling to help her move forward with her life. Lily is a very loving child and she is looking for someone to love her. She does not feel that her father T Ray loves her because of his mistreatment of her. Presenting Problems When Lily came to the Boatwright’s she was hiding the information about her mother because she knew that these women may have known her mother. Lily asked for a place to stay and to work so that she and Rosaleen could go to an Aunt’s house; she also said that they she was an orphan. Lily reports that she often has flashbacks (she call s them dreams) about her mother’s death. She says that she can have these dreams during the day or at night and that they happen when she is feeling stressed or when something happens to trigger these dreams. As an example, when she was asked if she wanted some grits, she quickly says no because she only knows them as a punishment. Although Lily is consumed by guilt for killing her mother, she is also feeling abandoned by her mother at the same time, because of what her father, T Ray has told her. She does not feel that she is loved by anyone, and she goes to the Boatwright’s to see if they know whether her mother loved her. Lily firmly believes that she took her mother away from her when she killed her. In her words, "I killed my mother when I was four years old, that’

Saturday, October 5, 2019

Automobile Industry and Information Technology Essay

Automobile Industry and Information Technology - Essay Example Technology has been a part of automobiles, in one form or another, for quite some time now. In the 1960s and 1970s the typical 'backyard mechanic' could invariably be found tinkering on his pride and joy - his car. Whether it has brand new, or a collector's item, the fact was that just about anyone with any mechanical aptitude at all and a set of wrenches could do any number of standard repair jobs on a vehicle back then. But, times have certainly changed - and it happened before we even knew it. Where once, you could open a car hood and identify just about everything under there, today, you might just as well be looking at components of the space shuttle. It started small enough - a computer brain to control some of the car's basic functions. However, to even attempt to perform any repairs on a modern vehicle, practically requires a degree from MIT. Of course, technology has surpassed merely the practical applications to improve performance. The sagging automobile industry has also been turning to the field of information technology to find ways to improve sales. ... With so much competition, foreign and domestic, the consumer has more choices today than ever before - and they know it. A customer will not simply purchase the first thing they see, but will compare and contrast makes and models - as well as features and accessories. Not only do consumers want options on their vehicle, they are also demanding options in ways to make the purchase. Enter information technology. 1.1.2 Entering the auto industry's second century, there are clearly powerful signs of change that could foretell the next dominant production standard. At the core of many of these changes is the Internet, which is already transforming how information is used and how coordination is managed in this most complex of industries. According to Holweg and Pil, in a book published by MIT Press in 2004, E-business offers tremendous potential for reducing waste and inefficiency, redistributing activities along the value chain, and providing new means for collaboration. These benefits will become evident in product development, procurement, manufacturing, and distribution separately, but the greatest impact will result from end-to-end integration of the value chain, from the final customer back to initial product planning. Consumer desires for customization will challenge the industry's long-established push approach to distribution and sales. As expectations are raised by information technol ogy experiences in other parts of their lives, e-powered consumers will be drawn towards build-to-order models where they play a co-design role and production is pulled by real-time information about their preferences (MIT Press 2004). 1.1.3 For both the manufacturer and the dealer, this opportunity is substantial. By better

Friday, October 4, 2019

Oil industry in Russia in 2050 Assignment Example | Topics and Well Written Essays - 2000 words

Oil industry in Russia in 2050 - Assignment Example Of vital significance are the factors, which influence international demand and supply of energy. Owing to the fact that approximately 1.4 billion people in different parts of the world do not have electricity, it is very vital that access to modern forms of energy be enhanced to meet the United Nations Millennium Development Goals of poverty and hunger reduction, as well as the promotion and expansion of health and education. By the year 2050, the Russia will be virtually energy sufficient. The major reason for this is the increased domestic production of oil and shale gas in Russia. The fact that the Russia is among the major players in the international field alongside United States of America and other countries, requires that a national energy outlook report be carried out on the nation. Energy is very significant in different regions of the world since it supports and enhances social development as well as the growth of financial systems in different nations. As a consequence of the universal importance of energy, it is of utmost magnitude that different actors affected by the energy industry, for instance, the consumers of energy, leaders in government, actors in the energy sector, commercial institutes and the civil society, gain a comprehension of the basic actualities which typify the energy sector. This paper aims at describing a national energy outlook report for the Russia in the year 2050. This report will present the long-term projections of the supply and demand of energy in the Russia from the present times to the year 2050. The descriptions and projections made in this paper will focus greatly on the contributions made by the petroleum and gas sectors. The energy resources in the United States, as well as the policies, regulations and ethics, which infl uence the Russian energy sector, will also be examined. An in depth analysis